Instrument-building a big feature of today: Nina experimenting with various designs incorporating movement/constriction as well as sound, with Clare exploring amplification of found & built sounding-objects. This resulting in a much more physicalised performance than we've attempted before, with audience members commenting on how close we were getting to choreography. Also, instrument modification, intricate eroded scores, exploration of the many traces occupation by artists & fishermen has left on the building. Evelyn Holloway graced us with 2 more poetic interpretations of our performances, & audiences members were encouraged to create off-set drawing responses as we performed - something of a fixed feature now.
2 more days = 4 more performances = 1 workshop with 30 Y5s = shadowing by Falmouth Uni & Plymouth College of Art students.